Alright, we're going to get it right this time. One post for each letter with every band we can think of. Got it? Good. So, A!
Miles: Overhyped, under performing dull as dirt and twice as common. Everything that's wrong with "indie rock" as percieved by the mainstream press and worshiped by the NME.
Richard: It's grim up North, but these internet megastars have enough angular riffs to shake booties from Sheffield to Scunthorpe.
Architecture in Helsinki
Miles: Think The Shins on a playdate with the Polyphonic Spree to see a They Might Be Giants concert for kids only for grown ups. Still with me? Symphonic indie twee pop with more instruments than you can shake a stick at. And they're from New Zealand. Or Norway. Somewhere begining with N.
Miles: It's unfortunate that this is next to the AiH one as my only reference point soundwise would once again be Polyphonic Spree. But if AiH is kids music for grown ups, this is grown up music for grown ups. Imagine if Tim Delthingy was manic depressive rather than constantly upbeat. Canadian, apparently. Pitchfork love them lots.
Apples in Stereo
Miles: I am by no means an expert on these Colardo (Possibly ¬_¬) based rockers but based on what I've heard, psychedelic power pop is the order of the day. Guitars that sound like synthesisers, that kind of thing. They seem fun.
Richard: Eddie Argos has successfully made a career out of shouting things about modern art and the Velvet Underground over a backdrop of ramshackle indie-punk. I also happen to have interviewed him, and he really is a lovely bloke. At this point, if I were working for Pitchfork, I'd be contractually obliged to type 'I've interviewed Eddie Argos... TWICE!' or something along those lines. But I haven't, and the joke's getting old, guys.